With Oltre, presented at Cersaie 2026, Fap ceramiche introduces a collection that interprets the surface not as an isolated element, but as part of an open system of relationships. Marble, stone and colour form three distinct languages that come together through textures, reliefs and chromatic variations, giving architects and interior designers the freedom to create different, highly personal combinations.
At the heart of the collection is the idea that it is the relationship between materials, rather than the individual element, that defines the character of a space. The three souls of Oltre thus become part of a single compositional vocabulary, in which surfaces with distinctive identities can interact and mutually transform their perception.
Oltre il Marmo explores Carrara, Calacatta and Crema interpretations, available in smooth, glossy, matt and canneté finishes. Relief enhances the play of light and the depth of the veining, while Curves Mosaico Brillante introduces a more graphic and decorative element. Combined with colour and texture, the classical imagery of marble takes on a more fluid and contemporary expression.
With Oltre il Colore, the palette ranges from neutral tones to greens and blues, culminating in the vibrant intensity of Corallo. Micro and Foglie structures transform colour through three-dimensionality, allowing it to take on different roles: a discreet presence, a visual accent or an element capable of creating connections between marble and stone.
More tactile in character, Oltre la Pietra gives surfaces greater volume through three-dimensional structures. Foglie enhances the organic inspiration, the Tratti mosaic introduces a graphic rhythm, while Canneté Noce and Canneté Rovere bring the visual warmth of wood into ceramic surfaces. Stone thus sheds some of its severity to become a softer, more enveloping presence.
Connecting these different languages is the 30.5 × 91.5 cm format, which can be installed both vertically and horizontally. Oltre therefore becomes a design platform in which material, colour and structure can be continuously recombined: a grammar of surfaces that replaces the logic of the individual collection with the freedom of composition.
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