Not only wood, but also leather, fabrics and textures are the protagonists of the Very Wood designs, which offer creations that are true oases of relaxation. A central role is played by the weaves, a workmanship that transmits both softness and resistance, while the alternating stringing gives the seat visual openness.
Whether made of a natural or synthetic fibre, thick or thin, the weave creates a volume that is both textural and light in which transparency is also part of the object’s personality. The weave that is created is indeed an element of comfort, but it also expresses delicacy, airiness and refinement.
Kha by Christophe Pillet expresses classicism and essentiality, elegance and rigour, in a retro spirit, creating a minimal chic piece of furniture, never predictable, capable of giving character to any environment. The weave of Vienna straw that forms the surface of the backrest is framed by the chair’s steam-curved ash frame.
The steam-curved ash of the models in the Zantilam collection by Spanish designer Patricia Urquiola makes each piece of furniture unique: this particular production technique, in fact, does not guarantee the wood, as a living element, constant bending radii. The Zantilam chairs and small armchairs can have backrests and armrests with natural cord or nautical rope weave, with meticulous workmanship that also characterises the surface at a tactile level.
The Gerla armchair made by Lucidipevere has an ash frame in natural, stained or matt lacquered ash, with a honeycomb back composed of multilayer wood elements joined with comb joints and fixed to the seat. The weave in this case has a different materiality and texture from the textile fibres but creates a piece of furniture whose details refer to the same aesthetic language.
For more information visit: https://verywood.it/